In the clip, the character (played by Emily Rohm, from the Off-Broadway production) is lifted into the air and spun in circles, all while performing an operatic outing myself as a theatre kid. Then, in 2022, a clip of Jane Doe’s ballad began to circulate on TikTok. The New York Times declared its Lucille Lortel run as “weird and just plain delightful.” In the 2010s, Ride the Cyclone was undoubtedly a successful musical, but had yet to find a cult following.įor the years after, the musical lingered in a kind of theatrical purgatory, one of those oddities that you were delighted by if you encountered it regionally-but not well-loved enough to be propelled to Broadway fame. The original NYC cast included members from its Chicago cast-Lillian Castillo, Karl Hamilton, Emily Rohm, and Kholby Wardell-as well as Deaf West’s Spring Awakening star Alex Wyse, Gus Halper, The Last Ship’s Johnny Newcomb, and Peter and the Starcatcher’s Emily Walton. When it played Off-Broadway in 2016, it was set to star Taylor Louderman, who parted from the production before its opening. “It’s a good time, but it does acknowledge that darkness exists,” says Richmond of the work.įollowing its original production as a cabaret show at Atomic Vaudeville in Victoria, Ride the Cyclone went on to play at the Theatre Passe Muraille in Toronto, and even launched a Canadian tour in 2013. Ride the Cyclone was created by playwright Jacob Richmond and musician Brooke Maxwell-two collaborators who, at the time of the musical's creation, had yet to fully sink their teeth into musical theatre. For the ideal audience, it garners both reactions, in the best of ways. Full of zany, vaudeville-style numbers, as each character pleads for their life, Ride the Cyclone is a gritty, screwed up comedy that has the potential to be either unsettling or thrilling. Except for one character, Jane Doe, who does not remember anything before the accident. Each character performs a song exploring the lives they never fully lived. The musical opens in a shadowy, black-box-style purgatory, where the teenagers are told by an mechanical fortune-telling machine that, à la Cats, they all must compete for one person to be saved and sent back to the mortal world. Ride the Cyclone follows a school choir group of five on a field trip to an amusement park, where they, and another unsuspecting teen, perish on the Cyclone rollercoaster. Then randomly, in 2022, Ride The Cyclone found viral fame on social media-particularly TikTok-and became an instant hit with the digital generation: Gen Z. Yet, the target audience that would one day rave about the show would not be found for over a nsidering that during the show’s original premiere, the oldest of them were just out of elementary school. with a run at the Chicago Shakespeare Theater, and then arriving in New York City with a run Off-Broadway. The quirky, morbid musical played several other productions throughout the following decade, first coming to the U.S. In 2008, a new show about six teenagers who were killed in a roller coaster accident began in Victoria, British Columbia.
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